Telugu – Language on the Move https://languageonthemove.com Multilingualism, Intercultural communication, Consumerism, Globalization, Gender & Identity, Migration & Social Justice, Language & Tourism Wed, 22 Jan 2014 03:20:16 +0000 en-US hourly 1 https://wordpress.org/?v=6.9 https://i0.wp.com/languageonthemove.com/wp-content/uploads/2022/07/loading_logo.png?fit=32%2C32&ssl=1 Telugu – Language on the Move https://languageonthemove.com 32 32 11150173 Bilingualism delays onset of dementia https://languageonthemove.com/bilingualism-delays-onset-of-dementia/ https://languageonthemove.com/bilingualism-delays-onset-of-dementia/#comments Sun, 10 Nov 2013 22:26:33 +0000 http://www.languageonthemove.com/?p=14773 Multilingual Hyderabad (Source: Wikimedia)

Multilingual Hyderabad (Source: Wikimedia)

It is by now widely known that bilingualism delays the onset of dementia. What is less widely known is the fact that this knowledge is almost exclusively derived from Canadian research conducted by Ellen Bialystok and her team (e.g., Bialystock et al., 2007). The data for these studies come from comparing monolingual English-speaking native-born Canadian dementia sufferers with their bilingual counterparts. The bilinguals are all migrants to Canada who had learned English during adolescence or young adulthood and come from a variety of first-language backgrounds with Central and Eastern Europeans predominating.

This data base raises an obvious problem: is it bilingualism that delays the onset of dementia or is it the fact of migration or other confounding variables?

Research published in Neurology last week addresses exactly this bias in a study of the relationship between bilingualism and onset of dementia in a non-migrant population in India. The researchers, Alladi et al., investigated age at onset of dementia in a group of more than 600 dementia sufferers in Hyderabad, the capital of Andhra Pradesh. Hyderabad constitutes a highly diverse linguistic environment: the official languages of Andhra Pradesh are Telugu and Urdu; English and Hindi are widely spoken due to their official status on the national level; other languages with significant numbers of speakers include Tamil, Marathi and Kannada.

Bi- and multilingualism are indigenous to Hyderabad – as they are to most of India – and bi- and multilinguals do not systematically differ from monolinguals on migration status or other variables.

In this cohort, the researchers found that the onset of dementia in the bilingual population was delayed by 4.5 years (a finding very similar to the 4.3 years found by Bialystok et al. in Canada).

A variable that often correlates with bilingualism in these studies is education and here Alladi et al. are also breaking new ground by including an illiterate cohort. Among illiterates (defined as people without any formal education), the protective effect of bilingualism was even greater: the onset of dementia in bilingual illiterates was 6 years later than in their monolingual counterparts.

Why does speaking more than one language have these protective effects? Having to switch between languages on a regular basis enhances “executive control:” making frequent linguistic choices – activating one language and suppressing another – is a form of practicing cognitive multitasking. Like other forms of cognitive practice – participating in continuing education, undertaking stimulating intellectual activities, engaging in physical exercise – bilingualism thus contributes to an individual’s “cognitive reserve” and wards off the effects of aging a bit longer.

Confirmation that bilingualism delays the onset of dementia in a different bilingual population than the one studied to date is good news for bilinguals.

Even more importantly, the study by Alladi et al. makes a significant contribution to bilingualism research by extending the evidence base to a population with a very different sociolinguistic profile from the one that predominates in the literature. Even so, psycholinguistic and sociolinguistic approaches to bilingualism still have a long way to go before they will truly meet.

The gap between the psycholinguistics and sociolinguistics of bilingualism is nicely illustrated by another of Alladi et al.’s findings: in the Hyderabad sample, the protective effect of bilingualism does not increase with speaking more than two languages, i.e. from the perspective of the delayed onset of dementia, trilingualism or quadrilingualism do not offer any more benefits than bilingualism. This finding is in contrast to another Canadian study (Chertkow et al., 2010). Those researchers found – similarly to Bialystok et al. – that the onset of dementia was delayed in bilingual immigrants to Canada and in French-speaking Canadians. However, they did not find that bilingualism was similarly beneficial for English-speaking Canadians. In fact, in that study the onset of dementia was later in monolingual English-speaking Canadians than in bilingual English-speaking Canadians. For language learning and use to have a protective effect for English-speaking Canadians, they needed to be at least trilingual. Chertkow et al. concluded that bilingualism was sometimes beneficial in delaying the onset of dementia but multilingualism was always beneficial.

Alladi et al. draw on sociolinguistics, specifically language ideologies, to explain their differential findings:

In places in which an official dominant language coexists with a number of minority languages, it can be reasonably assumed that the amount of language switching between languages is proportional to the number of languages spoken: the more languages people know, the more occasion they will have to switch between them. In the strongly trilingual environment of Hyderabad with Telugu, [Urdu] and English being used extensively and interchangeably in both formal and informal environments, with high levels of code switching and mixing, it could be speculated that those speaking 2 languages have already reached a maximum level of switching and the knowledge of additional languages will not be able to increase it. Such an interpretation would be supported by the view that neural mechanisms underlying cognitive control demands in bilingual communities with high levels of code switching are different from bilingual communities with practice in avoiding language switching or mixing. (Alladi et al., 213, pp. 4f.)

One of the frustrating aspects of much psycholinguistic research addressing the cognitive advantages – or otherwise – of bi- and multilingualism lies in the fact that the findings of different researchers frequently conflict. As long as bi- and multilingualism are taken as unitary phenomena inherent in the individual, this will always be the case. Not only do we need to extend the evidence base to include different linguistic, cultural and national contexts, we also need to bring psycho- and sociolinguistic research together to get a better understanding of what “bilingualism” might actually mean in a particular context. Alladi et al. have taken a most welcome step in the right direction.

References

ResearchBlogging.org Alladi S, Bak TH, Duggirala V, Surampudi B, Shailaja M, Shukla AK, Chaudhuri JR, & Kaul S (2013). Bilingualism delays age at onset of dementia, independent of education and immigration status. Neurology PMID: 24198291
Bialystok E, Craik FI, & Freedman M (2007). Bilingualism as a protection against the onset of symptoms of dementia. Neuropsychologia, 45 (2), 459-64 PMID: 17125807
Chertkow H, Whitehead V, Phillips N, Wolfson C, Atherton J, & Bergman H (2010). Multilingualism (but not always bilingualism) delays the onset of Alzheimer disease: evidence from a bilingual community. Alzheimer disease and associated disorders, 24 (2), 118-25 PMID: 20505429

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Music on the Move https://languageonthemove.com/music-on-the-move/ https://languageonthemove.com/music-on-the-move/#comments Thu, 05 Sep 2013 03:03:21 +0000 http://www.languageonthemove.com/?p=14508 Carnatic singer Prema Anandakrishnan and her accompanists performing for the monthly Sydney Music Circle concert

Carnatic singer Prema Anandakrishnan and her accompanists performing for the monthly Sydney Music Circle concert

An important element of language relates to its aesthetic use, in other words, how we make our lives beautiful and present ourselves to the world beautifully through language. Anthropologists and linguists have been interested in this dimension throughout the 20th century in their study of ritual and folklore and the ways that language is used in them through song, chant, oratory and other kinds of interactional discourse. Bauman’s (1975) Verbal Art as Performance crystalised many of these ideas to place an emphasis on performance when looking at such aesthetic modes of communication and to establish performance as an important area of study within Sociolinguistics and Anthropological Linguistics. Singing is an important cultural activity in which language as performance intertwines with music. As with many other forms of performance, singing often takes place within the context of a range of other embodied cultural practices.

In my Linguistics PhD thesis supervised by Dr. Verna Rieschild at Macquarie University, I looked at two singing traditions – Irish traditional singing and South Indian Carnatic singing – as practiced in diasporic communities in Australia focusing on performance, language choice and language ideologies and musicolinguistic artistry. My thesis research provided a fascinating opportunity to apply the ideas from the study of language as performance to forms of singing I loved, and explore dimensions of multilingualism, globalisation and migration within them.

In singing, highly marked language choices can be made such as using a language you don’t know or normally speak, or using a non-dominant language in a dominant setting. The transformative nature of the performance enables a transformation of settings and communicative practices. Hence, Irish traditional singers in Australia who speak Irish let their use of Irish in songs spill over into the informal speech or banter between the songs. Tamil-speaking Carnatic singers choose a song in Tamil (from the multilingual song repertoire) to elaborate with extended musicolinguistic improvisation.

Language ideologies, equally prevalent in singing as they are in speech, are particularly strong and transformative due to the expressive and heightened nature of performance. In Carnatic singing, an ideology of devotion to the Tamil language has competed with ideologies about music as a “universal language”- in other words, beyond any particular spoken language- throughout the 20th century (Ramaswamy 1997; Weidman 2005). Hence, the multilingual repertoire and centrality of songs in Telugu and Sanskrit has remained along with recognition of Tamil and singers consciously or unconsciously vary (typically in small degrees) as to how they weight each language in terms of the number of songs in each language and how this correlates with the types of songs chosen (some Carnatic songs are considered to be more musically “heavy” and consequently more at the core of the repertoire). Meanwhile, Irish traditional singing is connected with ideologies relating to Irish language use which have arisen in the course of its revival and resistance to the hegemonic influence of English.

Perhaps the most “moving” aspect of singing, however, is the way that music and language artfully intersect in performance, which I call musicolinguistic artistry. In the final part of my thesis, I analysed the musicolinguistic artistry of both singing traditions. In Irish traditional singing, one aspect of musicolinguistic artistry is the ways that singers perform different versions of the same song with slight differences in melody, rhythm, text or performance practice. Singers typically maintain aspects of the particular version they acquired but usually put their own individual stamp on it through acceptable variations in the song text (O Laoire 2004), innovative performance practices such as harmony or framing the song in a particular way through banter.

In South Indian Carnatic singing, musicolinguistic artistry is at its zenith in the improvisatory format known as niraval (literally “filling up”) in which a line from a song is repeated in various melodic and rhythmic combinations over the continuing steady beat cycle of the song. In niraval, the singer first uses the musical elements to emphasise particularly meaningful phrases in the song text and then gradually develops the melody and rhythm to increasing virtuosity to the extent that the line of text becomes more of a vehicle for the music (Radhakrishnan 2012).

The diasporic context adds the further dimension of migration and transnational movement. In the Australia-based communities of practice engaged in Irish traditional singing and South Indian Carnatic music, the singing traditions are transplanted from their territorial origins, evoking a strong sense of connection to those cultural homelands and triggering or providing a space for other embodied cultural and linguistic practices which accompany the singing traditions (cf. Ram 2000; Dutkova-Cope 2000). Performance events of these singing traditions hence create micro-level ecologies in which practices of cultural continuity and language maintenance and revitalisation can unfold in ways that are meaningful and beautiful. Practices of transmission of these traditions and transnationalism (e.g. singers or other community members traveling “back” to Ireland or South India for learning, performing or attending performances) add another layer which further strengthens continuity.

Looking at these two singing traditions in my thesis, I have realised that performance animates and “moves” language in a number of ways, particularly when what is being performed is language itself. Hence singing and other forms of performed discourse could be seen as another kind of “language on the move”, encompassing the range of communicative functions and social practices reflected in everyday speech but also transcending them into an aesthetic experience. When the language being moved through performance moves globally through migration and transnational practice, the shifts created are strong and encouraging for linguistic diversity in a multicultural world.

ResearchBlogging.org References

Bauman, R. (1975). Verbal art as performance. American Anthropologist, 77(2), 290-311.

Dutkova-Cope, L. (2000). Texas Czech folk music and ethnic identity. Pragmatics, 10(1), 7-37.

O Laoire, L. (2004). The right words: Conflict and resolution in an oral Gaelic song text. Oral Tradition, 19(2), 187-213.

Ram, K. (2000). Dancing the past into life: The rasa, nrtta and raga of immigrant existence. Australian Journal of Anthropology, 11(3), 261-273.

Ramaswamy, S. (1997). Passions of the tongue : language devotion in Tamil India, 1891-1970. Berkeley. University of California Press. 

Radhakrishnan, M. (2012) ‘Musicolinguistic artistry of niraval in Carnatic vocal music’ in Ponsonnet M L Dao & M Bowler (eds) The 42nd Australian Linguistic Society Conference Proceedings 2011 (Canberra, 1-4 Dec 2011) Canberra: ANU Research Repository

Weidman, A. (2005). Can the subaltern sing? Music, language, and the politics of voice in early twentieth-century south India Indian Economic & Social History Review, 42 (4), 485-511 DOI: 10.1177/001946460504200404

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