When she was six years old, Noriko Shimada received a koala cuddly toy as a souvenir from a visiting Australian. She could not know it back then but her career would eventually bring her to Australia via extended periods in Germany and the Netherlands.When she was 13 years old, Noriko’s music teacher suggested the
bassoon to her because the other wind instruments were taken in the school band and he thought her big hands were ideal for this traditional European instrument. It was the bassoon that led her to Germany when she was 21 years old: she became a student of world-famous bassoon professor
Klaus Thunemann at the
Hochschule für Musik, Theater und Medien Hannover.In Hannover, Noriko not only perfected her music but also fell in love with a fellow student from Australia, the bassoonist
Matthew Wilkie.
After graduation, they both built successful careers in Europe before having to face the question where they wanted their children to grow up. While Germany felt like home, their insecure residency status meant that they looked to Australia as a country where their sense of belonging coincided with their legal status.
Ingrid caught up with Noriko in between practice sessions in the busy cafeteria of the ABC Ultimo Centre and they spoke in German about transnational careers, music and multilingual families.